Zusammenfassungen
This open access edited volume provides theoretical, practical, and historical perspectives on art and education in a post-digital, post-internet era. Recently, these terms have been attached to artworks, artists, exhibitions, and educational practices that deal with the relationships between online and offline, digital and physical, and material and immaterial. By taking the current socio-technological conditions of the post-digital and the post-internet seriously, contributors challenge fixed narratives and field-specific ownership of these terms, as well as explore their potential and possible shortcomings when discussing art and education. Chapters also recognize historical forebears of digital art and education while critically assessing art, media, and other realms of engagement. This book encourages readers to explore what kind of educational futures might a post-digital, post-internet era engender.
Von Klappentext im Buch Post-Digital, Post-Internet Art and Education (2021) Kapitel
- 1. Introduction: It’s All Over! Post-digital, Post-internet Art and Education (Seite 1 - 24) (Gila Kolb, Juuso Tervo, Kevin Tavin)
- 2. Post-digital, Post-internet - Propositions for Art Education in the Context of Digital Cultures (Seite 27 - 44) (Kristin Klein)
- 3. Post-Internet Art and Pre-Internet Art Education (Seite 45 - 59) (Robert W. Sweeny)
- 4. A Meditation on the Post-digital and Post-internet Condition - Screen Culture, Digitalization, and Networked Art (Seite 61 - 80) (jan jagodzinski)
- 5. Bodies of Images - Art Education After the Internet (Seite 81 - 97) (Konstanze Schütze)
- 6. Post Scripts in the Present Future - Conjuring the Post-conditions of Digital Objects (Seite 99 - 113) (Aaron D. Knochel)
- 7. Educating the Commons and Commoning Education - Thinking Radical Education with Radical Technology (Seite 117 - 129) (Grégoire Rousseau, Nora Sternfeld)
- 8. A New Sujet/Subject for Art Education (Seite 131 - 145) (Torsten Meyer)
- 9. New Intimates (Seite 147 - 165) (Paula Kommoss)
- 10. Notes on Corpoliteracy - Bodies in Post-digital Educational Contexts (Seite 167 - 182) (Gila Kolb)
- 11. Aesthetic Practice as Critique - The Suspension of Judgment and the Invention of New Possibilities of Perception, Thinking, and Action (Seite 183 - 201) (Manuel Zahn)
- 12. What Is the Poor Image Rich in? (Seite 203 - 221) (Helena Schmidt)
- 13. Educating Things: Art Education Beyond the Individual in the Post-Digital (Seite 225 - 238) (Annemarie Hahn)
- 14. Toward an Anti-Racist and Anti-Colonial Post-Internet Curriculum in Digital Art Education (Seite 239 - 256) (Timothy J. Smith)
- 15. Embracing Doubt - Teaching in a Post-digital Age (Seite 257 - 267) (Jan Grünwald)
- 16. Creative Coding as Compost(ing) (Seite 269 - 283) (Tomi Slotte Dufva)
- 17. Post-internet Verfremdung (Seite 285 - 298) (Helena Björk)
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Begriffe KB IB clear | Algorithmusalgorithm , Anonymitätanonymity , arduino , Bewusstseinconsciousness , Bilder , Bildungeducation (Bildung) , bitcoin , Computercomputer , creative coding , Datendata , Digitalisierung , Digitalität , E-Maile-mail , facebook , Gesellschaftsociety , Google , Hardwarehardware , HypermediaHypermedia , Hypertexthypertext , Instagram , Internetinternet , Kapitalismus , Kommunikationcommunication , Konvergenzconvergence , Kunst , LehrerInteacher , Lernenlearning , machine learning , Meditation , Museumexhibition , Netzwerkeffekte , Privatsphäreprivacy , processing (Programmiersprache)processing , Programmierenprogramming , Schreibenwriting , Schuleschool , social media / Soziale Mediensocial networking software , Sofatutor , Softwaresoftware , Technologietechnology , Theorietheory , Tiktok , Tinder , Wahrnehmungperception , WebQuest , Zukunftfuture | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Beat und dieses Buch
Beat hat dieses Buch während seiner Zeit am Institut für Medien und Schule (IMS) ins Biblionetz aufgenommen. Beat besitzt kein physisches, aber ein digitales Exemplar. Eine digitale Version ist auf dem Internet verfügbar (s.o.). Aufgrund der vielen Verknüpfungen im Biblionetz scheint er sich intensiver damit befasst zu haben.